At the border. As soon as this new Netflix series begins, it is impossible not to think about the trilogy made up of the films Before dawn, Before sunset and Before midnight. There is its protagonist, Julie delpy, again as a somewhat neurotic woman and in crisis although the chef she plays in the series seems to have much more control over her emotions than the Céline from the Richard Linklater films (although, like her, this woman is a bit out of her mind). element). She is a French woman living in Los Angeles, a renowned cook who cannot get her husband to pay attention or trust her decisions and who gets her biggest support from her three friends. Friends who are not exactly in the best moment of their lives. Created, written, starred and directed by Delpy, the fiction takes humorously the particular challenges that middle age poses for women. There they are Ell (Alexia Landeau), a single mother of three children who always organized her life around the man next to her and who, now alone, does not know how to move on. Yasmine (Sara Jones) calls herself a feminist but cannot find a job that interests her and feels sorry for being emotionally and financially dependent on her husband. Anne (Elizabeth Shue) hides her anguish behind her fortune and a laid-back demeanor. Different but complementary, the four friends form a team that is sometimes somewhat annoying but very funny and faithful to the feminine way of thinking. A season. Available on Netflix.
A Teacher. Nothing is simple in this series created by Hannah Fidell from her own feature film, premiered at the Sundance festival in 2013. Here the villains and their victims, the evil intentions of one and the defenselessness of the other are presented to the viewer as a confused mixture of emotions, intentions, mistakes and questionable decisions. Yes, it is about the history and the consequences of the illicit relationship between a high school teacher and one of her students, but beyond being framed in a power bond and dealing with what the law calls grooming, what is told in this ten-episode series goes much further. Because the story takes the time to show the loneliness of Clare Wilson (Kate Mara), the new literature teacher at a high school in Austin, her hometown, in which she feels almost a stranger anyway, and how those Factors precipitate her approach to Eric (Nick Robinson), her high school senior. As he must deal with his uncertain future and responsibilities to come, her attractiveness and seduction appear as a mirage first and a fantasy come true that hides painful ramifications. With a script as subtle as its staging, this drama takes a controversial theme to explore the darker sides of the human soul. A season. Available on Star +.
Physical. Rose Byrne (Ladies in war), is an extraordinary actress capable of unforgettable performances in both comedy and drama, and between these two genres this series is balanced, which has already confirmed a second season. Set in the 1980s, the fiction takes full advantage of the Australian actress’s acting range to tell the story of Sheila Rubin, a woman who feels that her life did not turn out as expected. With a professor husband who takes her constant presence and support for granted (he is far from deserving of that loyalty) and who ties her own personal fulfillment to her physical appearance, Sheila is a time bomb. And in his head it explodes all the time. Whether it is her bulimia, her ruthless way of seeing the world but above all herself, the character cannot escape from her suburban prison. Until the world of aerobics crosses his life. Desperate to cover the expenses caused by her eating disorder, the woman will find in exercise classes an emotional outlet and a business that she will build on bad practices, terrible decisions and a courage born of her worst instincts. A season. Available on Apple Tv +.
Dollface. Everyone knows a girl like Jules (Kat Dennings). They all have a friend who barely gets a girlfriend disappears from the face of the Earth almost without realizing what she is doing. Until the emotional breakup arrives and the attempt to reconnect with the friends left behind. The curious thing in the case of the protagonist of this comedy is that when after five years of relationship, her boyfriend informs her that he is no longer going, she imagines a group full of women in the same situation as her, led by a spinster so identified with her role as “lady with cats” who turned herself into a feline. If it all sounds a little crazy it’s because it is. That’s the charm of the series created by screenwriter Jordan Weiss, who also applies her quirky imagination to the outstanding Harley Quinn animated series (available on HBO Max). The delusion combined by the charisma and timing for Dennings’ comedy (which many already noticed during their participation in Wandavision), make Dollface a different series, original and entertaining, but at the same time between fantasies and humor slides deep comments on female friendship that is so often represented in fiction as an accumulation of jealousy, pettiness and fierce competition. A season. Available on Star +.
This Way Up. “So many secrets,” says Aine, the central character in this series created by Aisling Bea, the actress who plays her. Aine refers to her fledgling hidden romance with Richard (Tobias Menzies), the father of one of her students, but she could also be summarizing the entire plot of the second season of this comedy-drama that explores the life of this Irish woman living in London. , as funny as it is sensitive and the bond she has with her older sister, Shona, played by Sharon Horgan, the actress and screenwriter of Catastrophe (Another British series that used humor to tackle difficult topics such as depression, family trauma and relationships). And if in the first season the one who saved more than what she showed of her internal conflicts was Aine, just recovered from a nervous breakdown, now it is the turn of the apparently mature Shona to use denial as a life jacket. And, of course, it is not that Aine has transformed into a paragon of emotional balance. The truth is that already in psychological treatment, things seem to be going somewhat better, although the evident dependence on her older sister and Richard, who comes with his own backpack of neurosis, places her in a state of permanent fragility. “Sometimes you talk like you’re the only one feeling sad. It’s annoying ”, Shona claims and in that accurate comment there lies a good part of what he will develop in the six new episodes. Two seasons. Available in Directv Go.
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Five series to discover something of the complicated female universe